Sunday Night Sample – Carl Bar Stool – See Red


It was a voice memo recording of a track he recorded with The Dead Licks and released this week, “See Red”.

Like Galileo discovering the Galilean moons of Jupiter, my eyes lit up and a smile beamed across my face as I heard the first notes.

It was not the first time that Carl offered me the pleasure of listening to some of his works. On the contrary, I heard a lot of stuff from his safe.

My concern was that it didn’t see the light of day because its standards are so high.

He said he wanted to record it in a studio, but I had no idea he was talking about the Barstool headquarters office in Chicago.

This rendition of “See Red” is dedicated to the 2021 Chicago Bulls and was written, recorded and produced by Barstool Carl.

It samples one of the all-time Christmas classics, which presents a very deep story of its own.

ORIGINAL – Darlene Love – Christmas (Baby, please come home)

In the mid-1960s, one of the greatest cocksuckers of all time on the planet, Phil Spector, was focusing on singles, his definition of an album being “two hits and ten pieces of crap.” He took a different approach, however, when he recorded Christmas album in 1963, putting a lot of effort into each track. The only original song on the album was “Christmas (Baby Please Come Home)” by Darlene Love, which he wrote with Jeff Barry and Ellie Greenwich.

Spector released the song as a single when the album came out, but sadly it was the same day that US President John F. Kennedy was shot. It seriously toned down the holiday mood; the single, as well as the album, were withdrawn.

“Christmas (Baby Please Come Home)” remained dormant throughout the ’60s and’ 70s, but in the ’80s covers and media uses helped introduce the song to new audiences, and radio stations have started adding it to their vacation playlists. It eventually became a Christmas classic, but it took decades.

As a wise businessman, Phil Spector asked Darlene Love to re-record this song as “Johnny Please Come Home”, and released it shortly after Christmas in 1963. The song had the same song. music and the same theme, but the lyrics have been changed to remove the Christmas. the references.

Despite the catchy production, the lyrics of this song are rather dismal, as the singer cannot get into the Christmas spirit without her loved one. Darlene Love, however, calls it “a happy song.” She said in The New York Times:

“When I sing it, I tell everyone to come home to their loved ones. I invite families to get back together. Now is the time to do it.”

Spector had previously used Darlene Love as the voice of The Crystals on the songs “He’s A Rebel” and “He’s Sure The Boy I Love”. In an interview with Record Collector in 2008, Love talked about working with Spector on “Christmas (Baby Please Come Home)”:

“Phil worked so hard with everyone on the album and the days kind of melted into each other, thinking about it now. But there was a real Christmas party atmosphere in the studio, even if it was the strongest of the summer, and a lot of good musicians were involved, they weren’t very well known at the time, but a lot of them became famous afterwards, like Leon Russell. Sonny Bono and Cher were involved in a lot of things as well, as was Glen Campbell. We worked hard, however, some days we were in the studio for eight or nine hours doing a verse of a song. “

This has been used in the films Gremlins (1984), Goodfellas (1990), Bad Santa (2003), Christmas with the Kranks (2004) and The Perks of Being a Wallflower (2012).

Darlene Love caught the attention of talk show host David Letterman when he saw her in the Broadway musical Leader of the Pack. In 1986, he had her perform “Christmas (Baby Please Come Home)” on his show, and every year invited her to sing it on his Christmas show. Letterman was never a fan of Christmas carols – especially novelty tunes – but he loved soulful music and was happy that Love brought the holiday cheer.

Love was supported by Letterman’s house group (directed by Paul Shaffer) when she performed on the show. At first it was just a basic performance with the four-piece group, but over the years the productions got more elaborate, with string sections and backdrops.

These Letterman appearances gave the song a big boost and kept Love in the public eye. When she was featured in the 2013 documentary 20 feet of fame, (one of my favorite docs I’ve ever seen that I’ve also blogged about), she sat on the couch for an interview with Letterman for the first time.

The following year Letterman announced his retirement and Love sang it on his show for the 28th and final time, climbing on Shaffer’s piano at the end of the song in an effort to avoid bursting into tears – she knew she would cry if Letterman hugged her, so she got down to the piano because she knew he wouldn’t follow her there.

In 2015, The View TV show picked up the tradition, asking Love to perform the song every year as Christmas approaches.

Some of the artists who have covered this song include Jon Bon Jovi, Death Cab for Cutie, Mariah Carey, KT Tunstall, and Smash Mouth. Cher, who sang as an accompaniment to the original (she was one of Phil Spector’s favorite backing vocals), also made her own version.

The most popular cover, however, was recorded by U2 for the Special Olympics 1987 fundraising album A Very Special Christmas. Organized by Jimmy Iovine, it asked Darlene Love to do the backing vocals on the track. Love was the only backing vocalist – she recorded multiple tracks which were combined to make it sound like a full section.

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